How To Read Music – SEE it, SAY it, PLAY it is getting a new format. In 2019, it will be offered as an online course. The lessons, exercises, mp3s, videos and pdfs will be available with a subscription plan. You can subscribe for a month or a lifetime – as needed.
The print version is no longer available and we thank you for your patience in our transition.
Be your best
Can Learning How to Read Music Give You an Advantage?
Learning how to read music is no guarantee of a successful music career. But, If there was ever a time to know all you can about music, from music theory to production – it’s today.
The 21st century musician should be as prepared as possible. Some gigs don’t require music reading skills, but many others do. You can be prepared for both.
Knowing how to read music is simply a tool to help you excel and succeed.
Be Prepared for All Opportunities
More Skills Equal More Gigs
Learning how to read music is not just for “classical” musicians. There are many gigs today that require you to read charts, lead sheets and sheet music.
- Musical Theater
- Studio Musician
- Composer and more…
Not to mention – you can hop on a plane, listen to a band’s song-list on the trip, write your own cheat-sheet charts… and play their gig in an emergency situation.
It is not required for all musicians to learn how to read music. But on the other hand, why miss any opportunity to play… AND GET PAID?
Know Your Gig
Increased Musical Knowledge
Practical Music Theory
More Gig Opportunities
Notate Your Own Music
Visual, Aural and Motor Skill-Stacking
Fun and personal enrichment
Learning How to Read Music can Stack Many Skills at Once
When you learn how to read music correctly, you are empowered in 4 areas:
- Aural Skills
- Visual Skills
- Motor Skills
The process of learning how to read music should not be frustrating. Instead, it should be as natural as learning your own language.
Experiencing how to read music the right way accelerates ear training. After all – Music is sound, not graphics.
Learning how to read music will connect your eyes, ears, brain and hands. It’s a powerful combination.
When you understand notes, rests, time signatures and the basic rhythms of music – you can relax and play.
The Secret Sauce
Reading Music: Old-School Secrets of The Pros
There’s a thousand ways to do anything. But only a few are successful.
As much as I like new stuff – the old-school methods rule when learning how to read music.
Why should I learn how to read music?
To be better equipped for whatever you want to do with music. It’s not going to make you rich and famous, but it won’t hurt your career either.
It’s a tool for any musician that wants to be more valuable in the marketplace. For some gigs, it’s essential. For others, it doesn’t matter.
In your case – that’s for you to decide. Read the article, “Learn to Read Music – 5 Reasons You Should” for a discussion.
Why is reading music so hard?
You’ve been trying to learn to read music the hard way. The wrong way.
Unfortunately, many people are taught by a weak process that creates information overload. It’s too much stuff to process and it IS hard. It’s almost impossible.
That’s why I wrote How To Read Music – See it, Say it, Play it.
You learn one note @ a time.
You only study 1 thing at a time. The right thing.
You also learn with play-along music tracks. Songs are specially written for one note, then two notes, then three…
The system has worked for thousands of musicians. It’ an 0ld-school process, with a modern presentation.
What's different about How To Read Music - See it, Say it, Play it?
First off – you can’t learn to read music from a book.
Learning the music language should engage your ears, eyes, motor skills and more. 99% of the books on the market just give you symbols to memorize.
THAT’S LIKE LEARNING TO SWIM FROM A BOOK.
I want to laugh out loud (so I won’t cry) when I see these books claiming to teach how to read music.
- This is a staff.
- This is a measure.
- This is a Time Signature.
And this is a pill, and this is a scalpel, and this is a heart, and this is a tumor.
But that isn’t teaching me to be a doctor. Those are just terms.
It Doesn’t Work
There are so many frustrated people out there that have tried really hard to read music.
And the process itself does more harm than good.
I don’t mean to be negative about any other books, methods and courses. If nothing else, you can get exposed to musical terms and symbols.
But you need a strategy, a system that puts it all together for you.
This gives an ADVANTAGE – not a roadblock to reading & creating music.
To get a better idea of the advantages our method offers, take three minutes and go read this…
I'm Afraid I'll Lose My Individual Style if I Learn to Read Music
But your reasoning is wrong.
Nobody should lose their individuality – especially musicians. If you have heard me or read any of my material, I encourage you to find and develop your unique musical voice.
But – learning the alphabet didn’t hurt your style. Learning to read and write your language didn’t hurt either.
Instead, it helps you express yourself.
When you hear aspiring musicians sound like robots, that’s due to bad teaching and wrong understanding – not reading music.
Yes, you can develop bad habits and weak performance techniques when learning to read music. Learn the right way, and you’ll be good.
My Favorite Musician Doesn't Read Music
This affects your music career how?
What is See it, Say it, Play it?
An organic system to learn the music language.
Reading music, especially sight-reading, is just like reading words.
You’re not seeing it for the first time, you’re recalling words you already know.
For example, if you read a magazine while checking out at the grocery store -that’s sight-reading. Right?
But you aren’t really sight-reading. You know those words. You have a vocabulary.
You’ve read it all before.
Music notation works the same way.
- I teach you to SEE/Recall Music Notes in context.
- SAY it (speak the rhythm correctly – just like you would play it).
- And PLAY it in real time, in real music, on a real instrument.
But if all you’ve ever done is memorize terms, all you will ever do is perform very slowly and mechanically. That’s all you know.
Instead, a learning system should prepare you to create music… not block you.
You mentally “see” it – without guessing. You can “say” it because you know the vocabulary. You can then play/perform in context.
Here’s the Truth:
Memorizing symbols isn’t reading music. It’s just memorizing symbols.
SSP (See it, Say it, Play it) stacks your visual, aural and motor skills. Seriously, it’s a huge advantage to your musicianship and skills.
If you’re getting frustrated and feeling like you’re not improving at the rate you want, try our way. It works.
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